Number 31

The hotel's location puts travelers within easy walking distance of St Stephen's Green, Fitzwilliam Square, Leeson Street and numerous restaurants and cultural attractions. Number 31's appeal is precisely this balance between an intimate residential hideaway and a highly walkable city location.

Breakfast is one of Number 31's defining experiences. The hotel proudly describes its breakfast as award-winning, while current guests repeatedly praise the freshly prepared Irish breakfast and chef Delia. The conservatory and garden create an unusually intimate setting for beginning a Dublin day.

Number 31's history is inseparable from architect Sam Stephenson, who bought the former stables in 1957 and transformed them into his city refuge. The property offers travelers an unusual window into Dublin's architectural and cultural life of the mid-twentieth century.

Only metres from busy city streets, Number 31's garden offers a peaceful outdoor dimension. A fire fountain creates the dramatic focal point, while sculpture, greenery and seating create space to read, talk or simply watch the changing sky.

The property's creative identity extends into its eclectic collection of nineteenth- and twentieth-century art, prints, posters and objets d'art. Highlights include Art Deco travel posters by Roger Broders and the dramatic Jazz Wall reproduction inspired by Lillian Gaertner's The Joy of Life.

Designed during Sam Stephenson's time at Number 31, the sunken lounge is one of the property's most recognizable spaces. The late-1950s modernist design became part of the building's legendary social history and remains one of its most distinctive places to relax.

The hotel's location puts travelers within easy walking distance of St Stephen's Green, Fitzwilliam Square, Leeson Street and numerous restaurants and cultural attractions. Number 31's appeal is precisely this balance between an intimate residential hideaway and a highly walkable city location.

Breakfast is one of Number 31's defining experiences. The hotel proudly describes its breakfast as award-winning, while current guests repeatedly praise the freshly prepared Irish breakfast and chef Delia. The conservatory and garden create an unusually intimate setting for beginning a Dublin day.

Number 31's history is inseparable from architect Sam Stephenson, who bought the former stables in 1957 and transformed them into his city refuge. The property offers travelers an unusual window into Dublin's architectural and cultural life of the mid-twentieth century.

Only metres from busy city streets, Number 31's garden offers a peaceful outdoor dimension. A fire fountain creates the dramatic focal point, while sculpture, greenery and seating create space to read, talk or simply watch the changing sky.

The property's creative identity extends into its eclectic collection of nineteenth- and twentieth-century art, prints, posters and objets d'art. Highlights include Art Deco travel posters by Roger Broders and the dramatic Jazz Wall reproduction inspired by Lillian Gaertner's The Joy of Life.

Designed during Sam Stephenson's time at Number 31, the sunken lounge is one of the property's most recognizable spaces. The late-1950s modernist design became part of the building's legendary social history and remains one of its most distinctive places to relax.